Summer Reading Summary 1: Ideas for Effectively Using Film in the Foreign Language Classroom

I've been catching up on a lot of professional reading this summer. I've gotten lots and lots of great ideas for my teaching and scholarship, but I've struggled with the best way to capture those ideas so I am able and likely to put them to use. That's where this blog comes in. In the series "Summer Reading Summary" I'll be sharing the most helpful ideas and resources for my purposes. Since the blog searchable it will make it easier for me to find and use. Hopefully it will offer readers some main points to inspire further research of their own. 


Here are some good ideas from two articles in Foreign Language Annals:

• "Using Film in the L2 Classroom: A Graduate Course in Film Pedagogy" by Jessica L. Sturm Vol 45 No 2 Summer 2012 pgs 246-259
• "Effects of Narrative Script Advance Organizer Strategies Used to Introduce Video in the Foreign Language Classroom" by Philips D. Ambard and Linda K. Ambard Vol 45 No 2 Summer 2012 pgs 203-228

Key passages and ideas:

Sturm:

• article explains a graduate level course on using film to strengthen communicative language teaching, emphasizing meaning and authentic interaction, not perfection, 
• ideas for course texts: Using Authentic Video in the Language Classroom (Sherman 2003) and Dictionnaire de didactique du française étragnère et seconde (Cuq 2003), Pegrum 2008 "Film, culture and identity: Critical intercultural literacies for the language classroom" in Language and Intercultural Communication, "Got film? Is it a readily accessible window to the target language and culture for your students?" (Bueno 2009 in FLA), "A Sequential model for video viewing in the foreign language curriculum" (Swaffar and Vlatten 1997 in Modern Language Journal)
• the goals of the course were to engage with film on a more critical level and to build from smaller segments (excerpts or TV shows) to feature length films
• the course emphasized student input, personalizing the material, and collaboration
• units: remakes, medium (adapting written texts for film), how to read an image, subtitles/dubbing, ancillary materials, sound (imagine the sound, play only the sound without the image, imagine what is happening), trailers, excerpts and commercials, pre and post watching activities, short films/TV, feature length films
• film ideas: Le ballon rouge (Lamorisse 1956), Hors de prix (Salvadori 2006), French films and their American remakes like 3 men and a baby, Le dîner de cons, etc, Paris je t'aime (2006), La Môme (Duhan 2007), Indigènes (Bouchareb 2006), Glory (Zwick 1989), Amélie (Jeunet 2001), L'Auberge espagnole (Klapische 2002)

Ambard and Ambard:

• research has found the use of video is more effective if it's introduced via effective advance organizer (AO) strategies. 
• Examples: using transcription and viewing guides, watch short, key scenes and ask students to write short summaries of them before viewing the whole film
• use technology to discuss essential facts, character roles, genre, emotional tones, visual context
• using AO strategies helps learners understand what they'll get out of the lesson